Table of Contents

Share in top social networks!
Go Here for Home Page and Table of Contents.
Click Titles on Right for Stories
HEADSHEETS: Who’s Who in Mid-Century Modeling?
25000 thumbnails with names and dates.
Share in top social networks!
Posted in Featured | Tagged , | Leave a comment

Sharon Tate

Share in top social networks!

Interview of Linda Morand by Sharon Tate Fan Club

Sharon Tate and Philippe Forquet – The Untold Story

 

 How serious was Philippe’s relationship with Sharon? It has been said that they were engaged, is that true?

LM: The relationship of Sharon Tate and Philippe Forquet was as serious as it gets. It was 1962 and Hollywood was still under the control of the big studios and powerful producers. Stars were still put under contract, which had strict morals clauses. The stars were compelled to adhere to the studio’s guidelines and standards.

 We all know the story of how Sharon Tate was being groomed to be Hollywood’s brightest new star, mysteriously being kept under wraps by a Svengali-like producer. A wealthy man, son of a successful California family, the producer was a brash, powerful figure, who took one look at the incredibly beautiful young beauty and signed her on the spot. He had found someone with the polished class of Debra Kerr, the cool beauty of Kim Novak, the clean cut innocence of Natalie Wood and the warm naiveté and natural sexiness of Marilyn Monroe. Moreover, she could do her own stunts.

 She was bright, articulate and altogether lovely. During the next several years, hundreds and hundreds of thousands of dollars were invested by the production company to tweak and tone her fabulousness into a perfect package. Everything was going along perfectly but the studio had not reckoned with the prospect of her falling in love.


Philippe Forquet “In the French Style.”

Philippe Forquet was one of the handsomest men in Hollywood in the early 60′s. He was being compared with a young Montgomery Clift. In the Sixties French film stars were all the rage. Brigitte Bardot, Jeanne Moreau, Yves Montand, Charles Boyer, Alain Delon and Louis Jourdan were big box office names. There was room for a new young, Gallic hero with an edge. When 20th Century Fox was looking for a handsome French star for their newest film “Take Her She’s Mine,” the natural choice was the Forquet.



Not only had he proved he could act well in the role of a sixteen-year-old French aristocrat, who falls in love with a beautiful twenty-something, played by Jean Seberg, he also had star-quality, a certain self-assurance and inherent breeding.  He was flown over from France as the hottest young French heartthrob, fresh from a very successful film debut in “In the French Style.” He was enjoying the delights of A list Hollywood, attending the parties, meeting the stars and working with the beautiful and beloved teen star Sandra Dee and the super star, Jimmy Stewart. He was appearing in fan magazines, working with the best acting coach to perfect his talent and his English, and getting tons of fan letters a week.


Philippe was making “Take her, She’s Mine” with Sandra Dee when he met the lovely unknown starlet, Sharon Tate.

LM:There are different accounts of how they met. I forget if he told me or not. I believe it was outside a Hollywood restaurant with mutual friends. Oh yes, it was the Swiss Cafe and they were with Hal Gretzky, Sharon’s agent. I only know that one day he met by chance this most lovely of all women. It was love at first sight for both of them. However, for the young French leading man it was a date with disaster.

What ended their relationship?

 

The relationship ended with a bang after the stress of living with Sharon’s obligations to the studio culminated in a dreadful scene. There was a huge fight between Sharon and Philippe and a third party. The third party was very influential. There were not paparazzi like there are now and the studios still had power over the press. Philippe Forquet’s contract with Fox was cancelled and he was blackballed in Hollywood. His career was in shambles and he lost Sharon too. As far as his fans and the public were concerned, he just disappeared. I remember looking for him in the fan magazines, where he had often appeared, before I met him.

No mention was made of him any longer in any newspapers. Little or nothing was reported about the incident. There were only rumors. It was assumed that he had voluntarily returned to his homeland. But the truth is he was forced out of Hollywood. Things were different then. Scandals would be hushed up; stories could be invented or embellished. Stars were born but in order to shine they had to be made. Nowadays a violent incident between two Hollywood hotties would be front-page news. However, because of who was involved it was all hushed up.

 What is the truth behind the rumored violence in their relationship? 

 LM: I only know of the incident on the last day that they ever saw each other. I was told that there had been much throwing of dishes throughout the relationship but that no one had gotten hurt. They were both young, proud, gorgeous and on the road to fame and fortune. Career pressures, the demands from the image-makers, contractual obligations put stress on the relationship. He wanted to marry; she could not and would not. Her understanding with the studio was that she should remain an object of desire. Being married would have greatly reduced her sex appeal at this stage of her career. Maybe later. He was jealous and she was a free spirit. He no longer cared about his career and became obsessed with Sharon. But she would not, could not fulfill the engagement.


Sharon shows a little of her feisty side in this photo.

 What did Philippe tell you about Sharon? (i.e.: stories/memories, vacations they went on, her personality, etc.)

LM: He told me a lot about her, but a lot was critical. All during our courtship, she was always in the news and she came out in four movies. We were just starting our relationship. It was hard for me to have so many reminders of her everywhere. I remember he was not pleased with the Playboy spread. We looked at it on the newsstand and he made a wry face. He was not going to say his real thoughts to me. Who knows how it feels to see your former love on display like that. However, he did say she should not have done it. He was very conservative.


 I thought she looked beautiful. My ideas were a bit more liberal than his were too. He was adamant about not appearing in nude scenes. In the Seventies things loosened up a bit more and he became more open to nudity in film although he never did so himself.

Shaton weating a red wig in Vampire Killers

Philippe thought she should have tried to be more serious and not for the sex-goddess route. He had started in theater and considered acting an art form. He believed she was a very good actress, but that acting was not a good career choice for a womwn, and even for a man.  But there was nothing he could do now and there was nothing he could do when they were together. That was in the program. Sharon was to be a sex-goddess. What’s more, Sharon had nothing at all against it. She jokingly referred to herself as “Sexy Little Me.” She was like a Flower Child with her attitude toward sex and nudity. She thought these things were entirely natural and inherently beautiful and good. And you couldn’t help believing her.


Philippe did not approve of the opening scenes of “Don’t Make Waves” Sharon’s second movie. This was the POV of Tony Curtis being dragged by Sharon who played a lifeguard named Malibu.

 We went to see ”Don’t make Waves” together. He almost died when the film opened with a close up of a very shapely bikini clad butt and it turned out to be Sharon’s. Quite undignified, He hated the movie. He wanted her to be represented in a more serious light. More like Jean Seberg, his leading lady in the Robert Parrish movie, In the French Style. Her role as Odile in Thirteen was much more serious and she played it well.  He liked that film.

Philippe had been brought up in a very Catholic and very old aristocratic family. His title was Philippe Forquet Viscount de Dorne. He was Old School, kind of a conservative outlook. He had wanted to legitimize their relationship. She would become a Viscountess, they would move to France on his family’s estate. He would put lawyers on her contract with the producers and buy her out.  But there was no getting out of the contract.

 For a few months they ran away to New York where they were happy for a while keeping house on the Upper East Side  and socializing with the New York literary crowd, Truman Capote, Tennessee Williams and John Knowles.  Philippe attended the Actor’s Studio. But Sharon was summoned back to Hollywood when their engagement was announced in the gossip columns. That is when the real trouble started and the studio made a concerted effort to break them up.

 When/how did Philippe find out about her death? How did he handle it? Did he attend her funeral?

LM: That fateful summer of 69 found Philippe Forquet, his friend the American author John Knowles, and me in a villa in the South of France. Philippe was notified by  an attorney friend in Rome by telephone. He was profoundly affected. Put yourself in his place, someone you loved and lived with was killed in such a grotesque way. And don’t forget, for quite a while no one knew who did it. Philippe himself was a suspect at first. The significant other, former and current, always is a suspect. But, of course, he was 6000 miles away. So it was a horrible mystery for about two agonizing months. We were constantly seeing headlines in the papers and reporters were calling. John Knowles was in the middle of writing a book based on Sharon and Philippe’s story and how they broke up. He had spoken to me about his impression of their relationship. We were all deeply shocked at the news; None of us attended the funeral. We would have if we had been in LA. Philippe was due to shoot Waterloo in Rome. John did finish the book, though. It was called “The Paragon” The story was changed around but the lovers are Sharon and Philippe. The book is even dedicated to Philippe.

 Many people have said their lives completely changed because of it – they never felt safe again, etc., is that true with Philippe and you as well?

 LM: Because I lived so far from LA, in Europe, I was not fearful in the way that people who lived there were. When I look back, I see that I was so self absorbed that I did not really realize the depth of Philippe’s pain. Perhaps I could have helped him more but I was only twenty and in the middle of planning my wedding, which was called off because of the tragedy and another strange incident that happened a week later. Philippe himself, as well as John and I, were attacked by a knife-wielding maniac. But that’s another story.

We were constantly bombarded with headlines in the international press accusing Sharon and her friends of horrible things, trying to say she brought it upon herself. This was very hurtful and offensive to anyone who knew her. There was endless speculation about Satanism etc. Her fans know all about it. Philippe refused to read about it, but I read some.  He turned down interviews. Fortunately, he had to go deep into the Russian countryside, behind the Iron Curtain, to shoot Waterloo at the end of 1969 and got away from the whole circus of the Manson trial. We were living in Rome at the time, but she was known and written about there as well as in France England and Spain. So there was no escape from the headlines, the magazine covers and the endless speculation.

How were you affected by the tragedy?

 LM: The tragic deaths affected my life in many ways.  First of all, as I said, my wedding to Philippe which was to take place in September of 1969 in the South of France. a few days after the murder, had to be called off.  Philippe was devastated and frankly I was very upset too. We finally got married the next year in carmel, California.

When he returned from Russia, Philippe and I moved to LA so he could shoot “The Young Rebels.”  On every street corner, in every restaurant, there were reminders of Sharon for him.  He was depressed and withdrawn, throwing himself into his work but moping around most of the time.  He redoubled his efforts to keep me out of show business, which he blamed for their break up and her eventual tragic death.

 What was his relationship like with Sharon’s family?  

LM: .I don’t really know much. From what I understand, her mother and sisters liked Philippe at first. However, when it became clear that he was going to be interfering in Sharon’s life, causing problems with the studio, and talking about taking her away to France, they encouraged her to break it off.I know that he liked her father and sisters, but has lost touch with them. He said they were very nice people and that Sharon had been well brought up, something important to him.  He could not abide vulgarity.

 What were his, and your, thoughts about Roman? Did Philippe approve of their relationship?

LM: Philippe did not like Roman much.  He did not know him, but from what I could see Roman was the antithesis of Philippe in every way, physically, mentally, philosophically and politically. We both respected his work.  I believe that Sharon truly loved him. And this time she was allowed to buy out of her contract. He was not warm  toward me, but he was polite and nice the times I met him. I thought then and still do that he is tremendously talented. I could see what she saw in him.

Did he remain in touch with Sharon after their relationship was over?

LM: Philippe said he had run into her in London and Rome a few times before he met me. As far as I know, the only time he ever saw her again was the day we both ran into Sharon and Roman coming out of a café on the Via Veneto in Rome. This was sometime in 1969. She and Philippe exchanged the ritual French cheek kissing and she introduced him to Polanski. We exchanged a few pleasantries and spoke of mutual friends and acquaintances but she did not mention the baby. She was  wearing a loose dress and I did not realize that she was so pregnant. She looked positively radiant. She said she was happy and on her way to LA. I do know that she remained in some sort of contact with John Knowles and other of their mutual friends, who sometimes mentioned what she was up to. I got the impression she was on top of the world. She was glad to get out of her contract with the producer and was eager to be a wife and mother.

I don’t know if you could answer this but a fan would like to know… Did Philippe ever mention one thing that he would always remember about Sharon, like a certain characteristic or memory?

LM: Philippe was not really into talking about what he liked about Sharon to me. As we all do, when speaking of ex’s, he tended to downplay his fonder feelings for her. He wanted to reassure me and, I guess himself, that it was over between them and that he was able to give his all to our relationship. However, I got the impression that she was very special. I know he and John Knowles said that her actions had hurt him very much

At that time, she was in all the magazines in Europe and on the covers. I could not escape seeing that beautiful face. It was a bit daunting. Philippe encouraged me to give up modeling and all thoughts of being an actress. I did not have as much at stake as Sharon and tried to comply. I knew that a model’s career is limited and I was in love and wanted to get married.


What about you, what has stuck in your mind about her and allowed you to still remember her today?  I was struck by her incredible beauty, inside and out. I think she would have been a worthy successor to Marilyn Monroe as far as Sex Goddess goes, but I thought she could have gone very far in her career. Not only was she beautiful but she was NICE. Didn’t seem to have a bitchy bone in her body. There was no guile in her.

 You’ve mentioned meeting Sharon twice, what – aside from her looks/beauty – has stuck in your memory about her?

 LM: She held herself in good posture; she was very well groomed and spoke in very clear tones. If you have ever seen the promo film “All Eyes on Sharon Tate”, you will know how she was. She was like the “finished” Audrey Hepburn in “My Fair Lady.” She had obtained a European polish, which was charming. She was very straightforward. People seemed to take to her as they took to Lady Di a few decades later, of course not yet on such a grand scale. However, she had the potential of a superstar.

 As fans, it is always nice to hear people’s thoughts on Sharon. What do you have to say about her and your impression of her as a person… for example: did she have a good personality? Was she quiet/shy or very bubbly? Did she have an ego? Etc.

 LM: Of course, my meeting was short, only a few hours, but I did get to know her a little when we ladies of the dinner party, all went to the Powder Room of Chez Castel in Paris together. In Paris when two Americans meet, they tend to bond immediately, strangers in a strange land, and that happened between Sharon and me. Of course, it was strengthened by the fact that I was engaged to Philippe Forquet.

At the beginning of the romance.

 I had quite a few questions for her. We spoke for some time and she told me many things about them as a couple, about him and about his friend, John Knowles. She seemed to be concerned about me, to care. She was an absolutely lovely person. We continued our conversation at the dinner table where I was seated across from her and beside Polanski. Fortunately, he was engaged in a long conversation with his partner on the left, so Sharon and I had no one else to talk to anyway. We chattered away about the handsome and elegant, yet somehow tragic Philippe.

According to some, Sharon had slept around with a lot of men and tried to further her career by doing so, did Philippe ever mention if Sharon was unfaithful to him?

LM:  I don’t know about Sharon sleeping around with a lot of men. I do know she dated Richard Beymer and he helped her. He was a big star at the time. But she genuinely liked him. I did not get the impression that she slept around a lot to further her career. She did not need to anyway. She had her producer and he was the one to give her work. Their relationship has been spoken about by those who knew her.  I will not go into what was said.. What she did before she met Philippe, I don’t know. Philippe did mention one incident, the one that led to  violence..

Sharon had been summoned to the studio one evening after they returned from New York and she was trying to continue seeing him while pretending to the studio that she was not. He had been visiting her in her apartment when the phone rang.  He told me he followed her along the Pacific Coast Highway.  He found her with someone. There was a fight. She got caught by flying debris. Whether it was deliberate or an accident I don’t know. I only know they both told me the same story. She had to be taken to the hospital.  I have left out some of the details because I don’t want to mention any names. This is what I have been told, but I have no way of knowing if it is accurate.

 Did Philippe ever mention Sharon having a temper with him?


LM: He said she stood up for herself, but her argument was wrong. She wanted to carry on like the rising sex goddess and keep her fiancé a secret. It just could not work. There was yelling and throwing of things. It has been written about before. I doubt there was any physical hitting. However, flying objects can be dangerous.

 Did Sharon ever discuss Roman or Jay Sebring with you and/or Philippe? If so, what did she say?

LM: She mentioned in the ladies room in Paris that she was planning on marrying Roman and that she was very happy. When one of the other girls pointed out that Roman was a real ladies’ man, Sharon said she didn’t care. That is just the way men are. Some of the European girls agreed. I was not so sure. She never mentioned Jay Sebring. Philippe did a few times.  But, I have heard from others who knew him that he was a very nice guy.

 In your last meeting with her she was pregnant. Did she discuss the baby with you? If so, what all did she say? Did she seem upset about anything? Some people feel she was going to leave him, did she mention any problems, etc.?

LM: Unfortunately, the last meeting was brief, just two couples running into each other. Polanski and Forquet wanted to separate us two chattering magpies. Were the circumstances different, I am sure Sharon and I would have been friends. At least I would have liked to be. She did not seem upset about anything at all. I doubt that she was planning on leaving him.

 I believe she was planning to join her two best friends in being Hollywood Wives and putting her career on the back burner, just as I was doing. It was more usual then. She was greatly looking forward to the child as far as I know. Philippe always said that she really did not want to be an actress. It was more or less thrust upon her a combination of luck and location and of course those incredible good looks. She thought of it as an opportunity for an interesting life, fame and fortune. But she could have been just as happy raising babies in the country, Philippe seemed to think. That is not to say that she did not take her career seriously. Once she signed that contract, she did her utmost to become what the studio wanted her to be. She was highly intelligent and a quick study.

 What is your favorite Sharon film? Modeling session?

LM: My favorite film was Valley of the Dolls. I thought Sharon did a great job. I don’t have a favorite modeling session…I liked them all. She was wonderful in Thirteen. 

 Do you think she and Roman would have been good parents?

LM: That’s hard to say. Being in the limelight as they were, it may have been difficult to maintain a good home life. I know she would have loved the child dearly. In addition, she would have had the support of her family who were good people. I believe family life, something that Roman probably never would have thought he could have, would have tamed him a bit. He would have made sure the child had a good education and never wanted for anything. But he never got that chance. That part of his life is such a tragedy and I doubt that a day goes by that he does not think of the terrible fate of his wife and child. My heart goes out to him, Sharon’s family and Philippe too.

 Do you still keep in touch with Philippe? What are both your lives like today?

 LM: I spoke to Philippe a few years ago and he was doing quite well. He gave up the acting profession and went into art, antiques and other businesses. I heard he also owns a thriving French boulangerie where he supervises the creation of wonderful French pastries. Cooking was a hobby of his and he was a fine chef. He remarried twice and has three children. His last wife and he have been together for years and are very happy.Once in awhile someone contacts me about him and he still has a few fan clubs on the net. People just do not realize how his life was destroyed by his love for the beautiful Sharon Tate. Somehow, he just rates a few speculative lines, with some unattractive allegations. There was never a police record and he was never indicted for anything. He just stepped on some big toes.

 Things got better as the years went by but we began to drift apart, too. Because of his experiences with Sharon, he did not want me to work in the entertainment or modeling industries.  It was the cause of many arguments,  He felt that I was too naive and trusting and would get into some bad situations with unscrupulous directors and producers.

After Philippe and I divorced amicably in the mid Seventies, I went back to modeling and had some success in Europe. I remarried and have four children. I live in New York City where I am writing my memoirs. These questions have helped me think about that fateful time and organize my thoughts.



Share in top social networks!
Posted in Featured, Philippe Forquet, Sharon Tate | Leave a comment

Jennifer Brice

Share in top social networks!

Jennifer Brice


Glamour touched Jennifer Brice’s life even before she was born. “It all began when my mother was pregnant with me and one evening she went to the movies with her sisters in 1954″. Jennifer told MMM60s in a recent interview. “She didn’t have a name for me yet. After she saw the movie she decided to name me after Jennifer Jones.“”She was going to give me up for adoption but when she gave birth to me,” Jennifer continued, “she said I was the prettiest chocolate bald-head doll she had ever seen and decided to keep me.”

It was a struggle for the young mother to bring up a child as a single parent. Jennifer’s mother worked as a florist and made children slippers to make ends meet. After returning home to Greenville, South Carolina Jennifer’s mom met a high school friend who soon became her first husband. They got married in 1960.  ”I was six years old at the time.” Jennifer said. “He adopted me as his own child. My mother and I relationship had changed but she still had love for me. She encouraged her daughter to improve herself, always behave as a lady, enrolling her in beauty pageants and charm schools.  ”My step father worked for the military and was very strict and believed in don’t spare the rod and spoil the child. I never got spoiled. And I always believed love is the touch with our hands and with our hearts.”

 Her first fashion show was at Easter in 1965 when Jennifer was eleven years old. “My mother sent me to a charm school in the church in Washington DC.” Jennifer told us. “They taught us grace, poise, etiquette, how to walk and sit like a lady, and how to be lovely.” “At twelve, I got the opportunity to go to the White House where I met Lady Bird Johnson. I represented my school Stanton which received the Beautification Award.”  We took a picture on the lawn of her dog and us two.”

 

 

 

 


At age fourteen, Jennifer attended the Sears Charm School. ”They had the best booklet charm school page!” Jennifer declared. “Ms. Kelly was the teacher. I always will remember how sweet and charming she was. I got a Certificate for Completion of Sears for Good Etiquette. I attended these classes with my best friend Cassandra. 


“I met my first husband downtown Washington DC I was only 15 years old.” Jennifer continued. “We got married when I was eighteen years old. He worked at a shoe store. I felt like he was my prince with my glass slipper


At age sixteen Jennifer Brice entered and won Miss DC Teenager in the Miss Teen USA Pageant. ”That opened only a few doors, Jennifer said, “such as going to church gatherings and church fashion shows such, nothing really out of the ordinary. I finished High School at “The School Without Walls”. And got married to my first love.”

 



Jennifer owed much of her success to Ms. Nina Hyde, fashion editor of the Washington Post. “I finally got my big debut.” Jennifer explained. “I dedicate my success to Nina Hyde. Without her direction I don’t know how my career would have gone.  She took me by the hand to the Model of the Year Pageant in 1972.” Jennifer told us. “With her help I won.”

 

 

 

 

Jennifer was flown to New York to represent Washington, DC, which gave her national exposure. The nationally televised event was held at the Ed Sullivan Theater. Although Miss Colorado won, Jennifer Brice did not go unnoticed. And after a whirlwind few days in the Big Apple, Jennifer returned to Washington. She soon received a call from Stewart Modeling agency saying that she was in great demand and that they had received a lot of calls from people wanting her for modeling jobs.

Naomi Simms took young Jenifer under her wing.

 

She had met supermodel Naomi Sims at a book signing a while back and had asked for some modeling advice.  Naomi gave Jennifer and her mother her card and told her to call when she moved to New York. When she did, Naomi took Jennifer under her wing, met with her several times and even steered her to a few jobs that she herself could have done. In her book “How to Be a Model”, Naomi Sims describes the shy, seventeen year old Jennifer as “tall, very slender, with excellent legs and an open, friendly quality that I liked.”

Naomi went on to say in her book:  “…in Jennifer, I recognized a quality that might one day blossom.  I was not likely to forget her, because a few months later I was happy to see her on national television as a finalist in the Model of the Year Pageant, sponsored by the Stewart Models, the pageant that launched Cybill Shepherd on her career. Jennifer had already blossomed.  She was graceful and confident in front of the cameras.”

Three page article in the Washington Post by Nina Hyde

“The Stewart agency talked me into moving to New York,” Jennifer stated. “My husband and I moved to New Jersey because we couldn’t afford the rent in New York just yet.”   She gave birth to her first child January 11, 1975 and when the baby was ten months old the family moved to Manhattan. Jennifer switched to the Wilhelmina modeling agency. They had more clients who liked Jennifer and she became a top model in New York. During the next few years she also worked with Ford and Elite, the top agencies at the time.

The height of her career was the fairy-tale trip to Paris as one of a group of legendary African American models who made fashion history. In November of 1973, the legends of French haute couture: Yves St. Laurent, Christian Dior, Hubert de Givenchy, Emanuel Ungaro and Pierre Cardin were showing their collections in the majestic Palais de Versailles. These designers, who were renowned for their elegant and traditional shows were soon to be upstaged by some of America’s best and brightest fashion stars including Anne Klein, Oscar de la Renta, Bill Blass, Halston and  Stephen Burrows.

Fashion publicist Eleanor Lambert, the creator of this fabled event said: “It was as if, on this cold night, all the windows of Versailles had been blown open.”  The dazzling spectators included American socialites, models and movie stars, some of the richest women in France, and Princess Grace of Monaco. But as notable as those ladies were, the event was transformed by the presence of several African-American models including: Amina Warsuma, Norma Jean Darden, Pat Cleveland, Charlene Dash, Alva Chin, China Machado, Billie Blair, Bethann Hardison, Jennifer Brice and several others.

The amazing style, verve and energy of these young beauties transformed fashion and fashion show for years to come. They soon found themselves and others on every runway and fashion magazine in the world, bringing cultural diversity and vibrancy to life.  Oscar de la Renta recalled: There was no cohesiveness in the French presentation, but for the Americans, for a moment in time, we were all one! The models made the magic!


Peggy Dillard, Jennifer Brice and Romney Russo

Jennifer divorced in 1978. She remarried 1982 and moved to Boston where she found ample modeling work for the department stores who advertised in the Boston Globe. After the subsequent births of her next three children, Jennifer retired from modeling and dedicated her life to raising her family, who she calls “My Loves.”

An exciting highlight in 2011 was Jennifer’s invitation to the recent high style luncheon at the Metropolitan Museum of Art.  This ultra glamorous event brought together style setters, designers, writers, journalists, celebrities to commemorate historic significance of that moment in Versailles. Donna Karan, Iman, Liya Kebede, Veronica Webb, Renauld White, Jason Wu, Ruben and Isabel Toledo, Sam Fine, Lynn Whitfield, Kathryn Chenault, Cicely Tyson, Veronica Webb, Audrey Smaltz and Soledad O’Brian were among the celebrants.


The Versailles Models Honored at the Metropolitan Museum of Art. 2011 Left to Right: Bethann Hardison, Armina Warmsuma, Jennifer Brice, Alva Chinn, Pat Cleveland, Billie Blair, Norma Jean Darden and China Machado

Share in top social networks!
Posted in Featured | Leave a comment

Jackie Look

Share in top social networks!

Linda Morand

!966- 2008 -Jackie Look

 

 

 

 
This was the still. It appeared in magazines and on billboards. 

 

 
Here is the home of the Danish gentleman who owns all the Avis Franchises in Denmark. By my side is Eddie, who looks like Alfred Hitchcock.  This guy was amazing. Another professional look-alike, he was just like AH. He was even born on AH’s birthday. He mad a fortune in Europe as a professional look-alike. They are paid thousands of dollars a day.

 

 
Video Portrayal, Devon Cass, make up artist and stylist, photographer. 

 
Vanity Fair Annie Liebowitz. 1995  In fact when I did the Esquire shot with Peter Beard he had me sitting with Jackie’s friends in real life. They said our mannerisms are very much alike and our skill for languages. I am distantly related to the Bouvier family, so maybe it is in the genes.

However, Jackie would never have put her elbow on the table. tee hee.

Share in top social networks!
Posted in Featured | Leave a comment

Agneta Frieberg

Share in top social networks!

 

One of the most beautiful and popular models of the Sixties was Agneta Frieberg, a Scandinavian beauty, who was born in Sweden. She had been discovered when she was just fifteen years old, by the legendary agent, Eileen Ford. With her parents’ permission she began a prolific modeling career which lasted a decade, leading to her living for  long periods of time in New York and Paris, working for the top clients and magazines.

By 1968 Frieberg was considered one of the top models in the prestigious Ford agency. She appeared in Fords bestselling beauty book, on the covers of countless magazines and in numerous cosmetic and fashion ads. She was chosen as the cover girl for Glamour’s beauty book and was featured in a 1968 Glamour Magazine article entitled “Nineteen Supermodels”, where she was profiled along with Veruschka, Twiggy. Jean Shrimpton and sixteen other top models of the Sixties.

She also appeared in the famous Ormond Gigli picture featuring the top models of the Ford agency. I will write more about this picture and the models in it at a later date.

 

Ford capitalized on Agneta's beautiful very long blonde hair which led to many hair ads and TV commerdials.

Her sensitive beauty was very versatile. At first she was promoted because of her super long hair which garnered her many beauty ads, including several for Clairol. Frieberg was in a Great Body commercial on a rollercoaster with her famous long blonde hair flying. Over the years she changed her hairs cut, color and style, never afraid to try something new.  Over the course of her career, Agneta;s famous hair was blonde and brunette, long an flowing or cut into a neat bob.

According to her Wikipedia bio, Agneta Frieberg appeared on over 100 covers. She was noted for being a favorite of both Glamour and Mademoiselle, two of the most influential magazines geared toward the college age, young marrieds and career girls of the Sixties. She dated Jack Youngerman and Jimi Hendrix. Her best friend was another popular Swedish model, Ulla Anderson who recalls that they me ton a bus going to the desert for a Goodyear modeling shoot. Their fake eyelashes started falling off and they started laughing so hard they cried. It was like they knew each other instantly and they stayed best friends ever until Agneta’s untimely accidental death.

On May 10, 1971, Freiberg, still at the height of her career, was in Paris for a booking.  She was staying on the top floor of a hotel when she was pushed or fell out of the window.  There is still controversy over the cause of death, but friends and fashion insiders say that there were no drugs or alcohol in her system, as some biographers have indicated. She lingered for 10 day in the American Hospital of Paris and eventually succumbed to heart failure as a result of her injuries.

.

Share in top social networks!
Posted in Featured | Leave a comment

Sarah Stavrou

Share in top social networks!

I recently  got to meet Sarah Stavrou, whose experience in modeling as someone of mixed heritage—at a time when diversity was coming to the fore is of interest to Model History fans.  Sarah also belongs to that handful of girls at any particular time who don’t really meet the height requirement, but still manage to work, anyway, thanks to their great beauty faces (besides Sarah, in the 80s, Brit Hammer and Marjorie Andrade come to mind).  

Avon’s Barry Weinbaum used Sarah many times at Avon in the 80s and 90s—these three shoots are among his favorites… by Scavullo

Sara Stavrou for Avon Art Director Barry Weinbaum.

Sara Stavrou for Avon Art Director Barry Weinbaum.

Sarah Stavrou by Patrice deMarchelier at St. Barts

Sarah was born and raised in Chicago with five sisters and one brother. At an early age Sarah started modeling for Elite Model Management in Chicago, which financed her college education. She graduated from Chicago’s Loyola University with a BA in Liberal Arts and a emphasis in finance. After completing college Sarah Stavrou was recruited by Elite NYC and moved to New York. Sarah has been known as the Oil Of Olay woman, and has appeared on international covers as well as the cover on Essence magazine, other major campaigns include: Clairol, Avon, J.C. Pennys, Revlon, Sears (Crossroads woman) and Vogue Patterns (the collectible woman).

Sarah still models for a very few select clients, which has also enhanced her acting career. She worked on various projects such as: The Last Don, White Men Can’t Jump, Roc, Strictly Business, Playing God, and Children Of The Struggle which won the audience award at the International Film Festival in Palm Springs.

Sarah Stavrou has remained dedicated to designing one-of-a-kind, limited edition and custom items for Sarafiné . She has traveled the world, throughout her modeling career, in search of only the finest textiles: “I’ve always loved textiles and collected them, I never thought it would become a business.” There are many other pillow designers, only Sarah markets her pillows as a new genre of Art. “As these textiles become more extinct, their presence and value will appreciate, therefore, you’re buying a part of history, creating the pillow, jewelry, tees, etc. as a new genre of Art! The wedding pillows are marketed as heirlooms. “ Sarafiné is Green because we give old things and resources  a new life and purpose by recycling and sewing by hand. The remnants from the pillows becomes jewelry. We don’t throw anything away. We’re kind to The Planet and when you buy  Sarafiné  Art you are also helping the planet utilize what already exist.

http://sarafine.com/Site/Bio.html

Sarah and some of her designs


Share in top social networks!
Posted in Featured | Leave a comment

Colleen Corby

Share in top social networks!
COLLEEN CORBY was one of the all-time favorite SEVENTEEN models.

Colleen Corby (Born August 3, 1947) was one of the most recognized and beloved teen models of the Sixties. To every Baby Boomer in the Sixties, Colleen Corby was every bit a Super Model and she had been called one in the press. Her image was everywhere. She was the model with whom almost every teen girl could identify.

After walking into Eileen Ford’s modeling agency, as a young teen to look for a summer job,Colleen was signed to an exclusive contract with Eileen Ford, founder of the renowned Ford Model Agency. That “summer job” would last for the next twenty years. Colleen’s career took off right from the start.

Click Thumbnails to Enlarge.

By the end of that first summer her assignments were coming so steadily that her parents enrolled her in Manhattan’s Professional Children’s School,which allows for the irregular schedules of actors and models. By her last yea rof High School she was so busy she hardly ever attended classes. However she was bright and a hard worker. She was able to complete her assignments and earn good grades. She was more than a model, she was a role model.

Starting her career at a very young age, posing for American Girl, The Girl Scout magazine, Co-ed,Teen, Ingenue, she was already an experienced model by age 16 when she first appeared on the cover ofSeventeen in April 1963. According to one of her fellow kingpin models atSeventeen, the editors for all teenage oriented magazines knew they had a hot property in COLLEEN CORBY.

And what a young beauty she was, according to her peers. She had that amazing dewiness, the perfect glowing skin, hair and innocent on-camera movement that gradually became more stylized as this young model grew into herself and her signature look.

Click Thumbnails to Enlarge.

Colleen Corby loved working with the camera and the camera simply loved her. She knew exactly where her best light was and always played to that. She was one of the first young models who capitalized on the sultry look while retaining that innocent sweetness in the same breath, a la junior VOGUE. By the time she’d been in Seventeen regularly for a year or so, she would only crack a big smile if she was asked to do so. She was a leader of sorts in “taking it to the next level.” Cutesy young model poses were okay sometimes,but we were beginning to get beyond that, finally, and to have fun with it.


Click Thumbnails to Enlarge.

There was a fairly small group of models who seemed always to be together in the ads and editorial pages shot for Seventeen, and those ads often also appeared in Mademoiselle and Glamour, which appealed to older teens, college students, career girls and young marrieds. This tight group worked so smoothly together,playing off one another, just like a band playing music, naturally finding the perfect harmonies. It was true creativity,and Colleen was often at center position, quietly commanding the position she loved. She was a great team player too, and was always ready to compliment the lead taken by a cohort. That synergy was what commanded the higher daily rates for ads that eventually came with that territory.

  

Click Thumbnails to Enlarge.

The 60s was a magic era of modeling and the editorial pages of Seventeen were made for developing an almost decade-long following for its favorite models of the time. They were true supermodels to their millions of fans know in the trade as “the readership.”

With her dark hair and piercing innocent eyes, Colleen was the perfect cover girl. She was a bit more petite than some of the other regular Seventeen models and yet had a boldness about her mixed with that unmistakable innocence, a very alluring combination of qualities that the Seventeen readership practically worshiped. She was a hero for a

whole generation of 13 to 18 year old girls, and boys, and received a healthy-sized pile of fan mail on a monthly basis during her hottest years.

The young readership would choose their favorite brunettes and favorite blonds “Oprah Winfrey, said: ‘My teen idol was Colleen Corby, who was a model in Seventeen Magazine.

That’s what we all love to do, to have our icons to relate to. It’s all part of the fun of growing up,feeling a part of what’s happening, being up with what works to maintain health and beauty, and of the utmost importance, as always, WHAT DO I WEAR?, to school, to work, to dinner, to a party or concert, oron a great vacation trip, so that I’m exuding the confidence of my favemodels.

What would Colleen Corby or Joan Delaney, or Rinske Hali or Wendy Hill or Jennifer O’Neil, or any of my favorites wear to this event? And, where’s that new issuethat just came in the mail?!! I NEED IT NOW!! There was no Internet then and magazines were what we had. Big slick glossy magazines full of amazing fashions, styles, new make-up and hair styles and stories, columns and articles geared to the teenage at a time when 50,000 Americans a day were turning 18.

Click Thumbnails to Enlarge.

And so, the beat goes on. Here we all are again, lapping it up, reminiscing together about our glorious era, whether we were the models, or the readership who made them famous in the Sixties.

Thanks to Colleen Corby and her cohorts of the 60s, we had a great time, and now, we get to relive it here on MiniMadMods60s!! Come back for more stories.

Many thanks to Terry Reno, Wikipedia, Susan Camp, and other sources.

_________________
Share in top social networks!
Posted in Colleen Corby, Featured, Seventeen | Tagged , , , , , , , | Leave a comment

Super Chick

This gallery contains 4 photos.

These fanciful and artistic interpretations of the Sixties Super Chick Motif were created by Mary Beth Acosta, who works with actual magazine tearsheets, hand snipping her favorite Retro images into works of art.  Model Linda Morand. Photographer: Gosta Peterson.

More Galleries | Leave a comment

Eileen Ford

Share in top social networks!

 Eileen Ford and Swedish Models ~

1951  Very rare early photographs of legendary model agency mogul Eileen Ford and Swedish actress, Anita Ekberg, who began her career as a Ford Model.  Eileen gave modeling tips to 20-year-old Miss Sweden Anita Ekberg:

October 8, 1951 Life Magazine1970

Many times a year, Eileen Ford would travel throughout Europe for the Ford Model Agency, looking for girls with the potential to become top models.

The Godmother Eileen Ford was the subject of the cover story of the November 13, 1970 Life Magazine:

Here are two alternate cover poses of 17-year-old Swedish models Irja Eckerbrant (left) and Pia Buggert. The photographer was Co Rentmeester:
http://www.minimadmod60s.com/gallery2/main.php?g2_itemId=12889
http://www.minimadmod60s.com/gallery2/main.php?g2_itemId=22305

The Godmother and her girls:

Share in top social networks!
Posted in 1950s, 1960s-1, 1970s, Eileen Ford, Mod, Retro, Sixties | Tagged , , , , , , , , , | Leave a comment

The Feral Housewife

Share in top social networks!

“Armed only with a sharp pair of embroidery scissors and a glue stick, Mary Beth, a.k.a. the Feral Housewife has set out to liberate women from every walk of life; alive or deceased, real or imagined. She is on an endless hunt for vintage magazines for her work, favoring those from the 1920s to the early 1960s, her richest source of materials.

Here is a favorite of mine, featuring Italian photographer and former  topVogue model, Benedetta Barzini. This is not photoshop.

She literally swoons over the images as she pages through them, ripping out anything that catches her eye. She snips out coy smiles, backward glances, a well fitted girdle, women fascinated with telephones, nylon fetishes, and sexual innuendo of every ilk.

The Feral Housewife’s collages started out as part fun, part journal, and all self expression. They are hand assembled the old-fashioned way, involving endless snipping with tiny scissors using a magnifying light.

Components and backgrounds are carefully selected and everything painstakingly glued into place. Pieces are then burnished with wax paper and pressed to dry in a heavy tome. Color giclee  prints can be made from the original collages.”

 

Share in top social networks!
Posted in 1950s, 1960s-1, Featured | Tagged , , | Leave a comment

Willy van Rooy

Share in top social networks!

One great model of the Sixties and Seventies is Willy van Rooy. She was a muse to Yve St. Laurent and David Bailey. Newton loved her sultry Dietrich mystery. She inspired many classic photo shoots which have been preserved by miniMadMOD60s, with the cooperation of Ms. van Rooy.

Video (click link)

Willy van Rooy: Modeling Career Highlights

WILLY VAN ROOY’S BLOG

Photo Montage by Angora Sox

MMM60s: First of all, we would like to thank you for sharing your photographs and stories with us. It is not often one gets such an intimate glimpse into that vivid and wildly romantic era. We understand that because of your visibility on MMM60s, you were recently contacted by Italian Vogue to participate in a photo shoot.

Willy: Yes I got an email to ask if I would be available and interested to do a shoot for Italian Vogue the 9th and 10th of June. The photographer would be Steven Meisel. I was a bit nervous and nothing was for sure but I answered that I would be thrilled. I kept my fingers crossed. I have learned to not make myself any illusions and I figured I would probably be an extra and appear in some picture in the background… Still, I was excited about it and just to work with Meisel is already a trip.

I am only 5.7″ and I do know now my measurements because I had to give them to Vogue, 35- 27-36. Not as thin as I used to be, but carry the same weight always, somewhere between 116 and 122 pounds. They asked me for some recent snapshots.

Self Portrait

MMM60s: We saw the test shots, they are really good. You look amazing! Who took the pictures?

Willy: I took them myself. You know I don’t know why they came out so good, I was really surprised. Make up makes a lot of difference. I really did only 12 pictures around the house. You know when you do it yourself, you click the button but than have to run to your place and strike the pose and you have no idea what it looks like. That’s why I was surprised they came out so well, no Photoshopping, only the levels to make them nice and light.

MMM60s: I’ll say. You look incredible. Are you thinking of getting back into modeling?

Willy: I think if something is bound to happen it will. Of course I do all my best to keep my mind lucid and free so things can happen. Anyway it is very important to know what one really wants but once you know the doors will open by magic. You know that just a few days before I got the email I was talking with my friend, Rory Flynn, who was a model too in the 60′s and 70′s, and now is a head shot photographer, that we both should go back to modeling and that we could have fun making a whole day of pictures of each other and then find an agent (still with the illusion that they are really waiting for us).

Willy in Paris 1975 in an outfit for Pierre Dalby. Designed by WILLY VAN ROOY

And then out of the blue comes that email and I was working for Italian Vogue! It is a sort of miracle. Of course, I realize that it would be totally impossible for me to be a commercial model unless I would really be allowed to look like a grandmother, no glamour or beauty, and only with the very best people. Then it becomes interesting because you know they wanted you because they saw something that inspired them.

Steven Meisel for Vogue Italia

MMM60s: So how was the booking? How was it working with a fabulous photographer again?

Willy: To work with Steven was a great pleasure. You know you are going to look great because you know he wants to make a good picture and you also know he can. Everybody was very kind and what a setup! There were at least 60 people and tents and dressing-room-cars and toilets and an incredible catering and many people walking around doing something.

The make up was by Pat Mc Grath and her artists, and Jeffrey did mine. He was very funny! All the hair was by Guido and his equipe and several young stylists supervised by KARL TEMPLER the Vogue editor, I know he is one of the fans of your site. All this was done in a big cemetery and of course all the clothes were black. Beautiful clothes, D&G, Chanel, Dior, YSL etc.

Autographed picture from YSL to Willy van Roy

MMM60s: Wow, just like the kind of clothes you modeled in the Sixties and Seventies. Were there any other models?

Willy: Linda Evangelista was there and she is very beautiful and very kind. There were three other girls, one by the name of Karen and she is soooo beautiful, too. Wow! And two very young lovely models named Iris and Guinevere as well as three handsome male models. All together, on the first day, I did five pictures, two group shots and three by myself.! I think it went well and it was a very nice day.

They even came to pick me up in a beautiful car with chauffeur who opens the door for you and in between shoots they immediately came running with a chair and a bottle of water and you see the pictures straight away ( I never dare to look at mine) they have enormous computerized machines, enfin unbelievable! .

MMM60s: Did you work a second day?

Willy: I did work the second day too and all together I was in nine pictures ,of which three of them were solo. It was fun to work with Linda, she is very kind and at a point even said to me that she it was an honor to work with me! What do you know!?

Some of the models are interested in seeing my jewelry which is great. Now I realize, though, that it is not that easy to start modeling again, for me at least. Of course to work with Steven Meisel or another very good photographer is OK. They can make you look good, especially for magazines like Vogue and so on, which is fun but does not bring home the bacon and I am afraid I am not commercial at all. The clothes fit me perfect though, really amazing and the stylist even said they looked so elegant on me, that’s why I thought of maybe returning to the catwalk, but the heels…….We will see…

MMM60s: We think you are being too modest, Willy. You have not lost a thing. . Once again, thanks for all your very interesting input. You really brighten up the site.

Willy: My working for Vogue again is all because of MMM60s. They never would have found me if not for this site. Many people on the set there read your website and some knew all about it and follow my story and told me it was fascinating, so funny! Thank you, Linda.

MMM60s: We thank you Willy for continuing to be an inspiration to us all.  Thank you for all your help in making MMM60s what it is today. I look forward to reading your blog and that of your daughter and your son. What a creative family. I hope all our readers will read your blog. It is an amazing chronicle of an era in Fashion History and Culture.  Having been there, I can appreciate the authenticity of the experience.

Willy van Rooy: Modeling Career Highlights

Willy is a wonderful jewelry and clothing designer and a gifted story teller. Her fascinating blog can be seen here. Well worth a look, if you like model and fashion history and a glimpse into the artistic and modeling world of late Sixties and Early Seventies.

 

Willy’s Story in NY TIMES

WILLY VAN ROOY’S BLOG

Willy van Rooy: Modeling Career Highlights

Share in top social networks!
Posted in Featured | Tagged , | Leave a comment
Share in top social networks!

Share in top social networks!
Posted on by Mod Media | Leave a comment

Lauren Hutton Newsweek 74

Share in top social networks!

In 1974Lauren Hutton was the highest-paid model in history and was featured in an August 26 Newsweek magazine article written by Lynn Young.
Her cover photo was taken by Richard Avedon:

As mentioned in the article, here’s Lauren’s first cover of Vogue magazine:

November 1966

And here are 3 of her popular Revlon ads:
http://www.minimadmod60s.com/gallery2/main.php?g2_itemId=51871
1966
1974
1976

 


Share in top social networks!
Posted in Featured, Lauren Hutton, Retro | Tagged , | Leave a comment

Kecia + Shrimpton

Share in top social networks!

Kecia Nyman  April 1965 HairDo magazine - Will Rousseau was the photographer:

Jean Shrimpton was also featured in this issue.


Unidentified Model, Jean Shrimpton & Kecia Nyman


Jean Shrimpton


Jean Shrimpton

Share in top social networks!
Posted in Featured, Jean Shrimpton, Kecia Nyman | Tagged , , , , , , | Leave a comment

Jean Shrimpton 64

Share in top social networks!

Although American college girls were the main focus of the August 1964 Mademoiselle magazine, British modelJean Shrimpton was featured in many of the ads:
http://www.minimadmod60s.com/gallery2/main.php?g2_itemId=13456

 

 Jean Shrimpton ~ Pretty in Pink ~ Glamour 1964

Jean Shrimpton was pretty in pink in the May 1964 Glamour magazine:
http://www.minimadmod60s.com/gallery2/main.php?g2_itemId=13456
Photographer: David Bailey


Photographer: David Bailey


Angel Face Ad
http://www.minimadmod60s.com/gallery2/main.php?g2_itemId=49863

Share in top social networks!
Posted in 1960s-1, Featured, Jean Shrimpton | Tagged , , , , , , | Leave a comment

1962 Suzy Parker

Share in top social networks!

The Sixties the Sixties models all talk about how they had to carry large bags full of all kinds of wigs and accessories, like shoes, gloves, jewelry and other items.

Here is an example of the different looks one model could achieve. Suzy Parker modeled wigs in a variety of styles and colors for the June 1962McCall’s magazine:

http://www.minimadmod60s.com/gallery2/main.php?g2_itemId=25110



It’s ironic that Suzy is wearing a black wig in an article that came out in 1962. In his book Fire and Ice: The Story of Charles Revson – the Man Who Built the Revlon Empire (William Morrow and Company, 1976), Andrew Tobias highlighted the friction between Charles Revson and Suzy with Suzy’s backstory of this 1962 Revlon ad:

http://www.minimadmod60s.com/gallery2/main.php?g2_itemId=88141

http://www.minimadmod60s.com/gallery2/main.php?g2_itemId=51871


Photographer: Richard Avedon

 

“‘As time went on it became really very funny. They did this particular “Cleopatra” ad and shot it with ten or twelve different black-haired girls, at great expense. It wasn’t the photographer’s fault; it was just that they couldn’t choose the model. So they had to keep paying Avedon for the pictures. It was a disaster. Finally, at the last minute, they brought me in and put a black wig on me and they never let Revson know it was me in the ad. He never realized.’ (He doubtless realized full well. Out of pride he may have pretended he didn’t.)”

 

Susan Camp

Senior Editor & Archivist

Share in top social networks!
Posted in Featured | Tagged , | Leave a comment

Jill Kennington

Share in top social networks!

Diana Vreeland, editor of US Vogue, 1967  said: “In my opinion, Jill Kennington is one of the best models around… She is not a beauty, but she has fresh air and dynamo… I sincerely suggest that when we are doing pictures we use her… She is usually in England. However as we have lots of pictures taken abroad do let’s remember her… It has also come to my attention that she never did have a nervous breakdown and that was all a load of talk…”




.


Jill was one of the biggest models of the 1960s appearing in many of the top publications both in Britain and abroad.

She worked closely with Photographer John Cowen to bring a new dynamism to fashion photography that was considered groundbreaking at the time.


The list of photographers she worked with throughout the 1960s and 1970s includes; Norman Parkingson, David Bailey, Patrick Lichfield, Terence Donovan, Duffy, Helmut Newton, Jeanloup Sieff, Richard Avedon, William Klein, Bob Richardson.

 

Since 1980 Jill has built a career as photographer in her own right .The National Portrait Gallery have a body of her work in their permanent collection and she is often asked to participate in lectures, TV documentaries and radio shows regarding her photographic work both sides of the camera


Interview in Vanity Fair:

‘Philippe Garner: Jill, your role in Michelangelo Antonioni’s Blow-Up created an indelible image that has become emblematic of the London scene in the 60s. How did it happen that you got cast for the film?

Jill Kennington: I remember excited whispers going round London: “Antonioni is going to make a movie here!” He was very well known to me for his beautiful and often strange films, so I was intrigued, but it took a while to understand that he was interested in the London 60s scene—in particular the world of fashion photographers and models……

Click here to read more:

http://www.vanityfair.com/hollywood/features/2011/04/the-making-of-blow-up-201104#intro

Here is a link to the wonderful Vogue Archives of the Mod Era featuring Jill Kennington

http://www.ciaovogue.com/search/label/Jill%20Kennington

Share in top social networks!
Posted in Featured | Tagged , | 1 Comment

Linda Morand Today

Share in top social networks!

Some of the great times

Share in top social networks!
Posted in Featured | Tagged , | Leave a comment

Jackie Kennedy

Share in top social networks!

Here are 2 magazine articles from the summer of 1961 featuring

…the Jacqueline Kennedy Look, the Look that every American woman can adapt to her own personality.

The first article is from the August 1961 Ladies Home Journal magazine showcasing designs by Oleg Cassini that are modeled by Dorothea McGowan:


Oleg Cassini: Designer to the First Lady
Photographer: William Bell
Headsheet Album: Dorothea McGowan

The second article is from the July 1961 Beauty Mirror magazine:


(Oleg Cassini designed the First Lady’s Inauguration ensemble)
The Jacqueline Kennedy Look – In Beauty and Fashion
More Model History Pictures Album: 60s Press – Articles & Books About the 60s

Susan Camp

Share in top social networks!
Posted in Featured | Tagged , | Leave a comment

Darnella Thomas

Share in top social networks!

Outstanding Fashion Models of the 60s and 70s:

Darnella Thomas

“I started my modeling career at the Philadelphia Models Guild. After a year, I was commuting back and forth to New York, where I eventually signed with the Stewart Modeling Agency. From there I was represented by Wilhelmina. Finally, through the help of my friend and very famous make-up artist Joey Mills, I ended my career at the Ford Modeling Agency.

 

After my modeling career, friends and I started a business marketing coal through the help of a company on Wall Street. There were four of us ladies trying to market coal to the Department of Defense, Alabama Power and Light, Tennessee Valley Authority, etc. Eileen Ford was amused by this venture but wished me well.

I later attended FIT, taking gemology courses. I am currently working at the House of Chanel.”

Darnella Thomas 1979

Share in top social networks!
Posted in 1970s, Darnella Thomas | Tagged , , | Leave a comment

Jane Thorvaldsen

Share in top social networks!

Jane Thorvaldsen is an artist, a poet and a public relations consultant. In her illustrious modeling career Jane walked the runway of some of the best designers in Paris. Here are some shots from her notebook/diary: Here she is pictured with the famous fashion illustrator Antonio Lopez.

This is a shot from the original miniMadMOD60s group of models, archivists and photographers who banded together to find all the top 60s models and 70s models. Jane was very successful in Japan where she had many covers.

 

Below are some excerpts of the diary/agenda book that Jane carried around with her to the studios and design ateliers of Paris. Everyone wanted to see what she had done next. There was no Internet, no computers so hard copies is all they had.

Share in top social networks!
Posted in Featured | Tagged , , , , , | Leave a comment

60s Fashion Video

Share in top social networks!

Share in top social networks!
Posted in Featured | Leave a comment

Twiggy Mod Queen

Share in top social networks!

Share in top social networks!
Posted in Featured | Leave a comment

Wallis Franken

Share in top social networks!

Wallis Franken was among the first Ford models to sport one of Vidal Sassoon’s 60s-defining geometric haircuts. She was part of the trend started in 1966. Some of the new models were thinner, with dark, short hair which was a revolution in the modeling business.  She started modeling at 16 when photographer, J. Frederick Smith, noticing Wallis’ coltish grace, friendly smile and breezy personality, offered to take a few pictures. With her parents’ permission he took a few test shots and showed them to Eileen Ford. Always astute, Eileen recognized the new trend toward models who were not teeny-boppers but who were not yet sophisticated women. This was called the Misses category.

Sometimes a model could do Junior, Misses and High Fashion. Most liked to stay in the junior category for as long as possible because of the lucrative catalog jobs, TV commercials and fashion ads that ran in Seventeen. There was always time to grow up and do Vogue and Bazaar.

Early Test Shots for the Ford Agency

Rodier Campaign in Paris


Wallis had the girl next door looks, yet chic and always elegant. Her family was in the fashion industry. She had innate style and even as an up and coming unknown, WWD would snap photos of her in the street as an example of unique style. She immediately started working for the Teen magazines, the top ads, bridal magazines and Mademoiselle.

 

 

Wallis was always ahead of the times even in high school. She was wearing short skirts and colored tights when the other girls sported the collegiate look with loafers and knee socks.

 

Wallis' friend and roomate in Paris Susan Brainard

In New York, she became very friendly with Susan Brainard, another young Ford model, who used to stay at the family apartment in Manhattan sometimes when it was too late to go home to Westchester. Modeling was a very respected profession and the Ford girls were the crème of the crop. Thousands of girls applied from all over the world, but Eileen Ford sought something extra, much more than good looks. The young women had to have self discipline and impeccable habits. Wallis and Susan were two of the lucky few.  They dreamed of going to Paris together.


In 1966, Wallis  was sent on a job for Ingénue Magazine to Greece with another new Forddiscovery, Joan Thompson. She decided to come home via Paris because most of her model friends were there. There was plenty of work for young American models. As soon Wallis she saw the French city and was offered a modeling contract with Paris Planning, she was captivated and intrigued. She felt as if she had come home and indeed, Paris was to be her home for the next thirty years.

Wallis and John Thompson arriving in Greece 1966


"

Signing with the Paris Planning agency, she caught on instantly with the French. Friends said she was a people pleaser; she would go out of her way to be nice. She was a favorite or the stylish set, renowned for her boisterous laugh, her flawless taste and her vivacious, care-free  spirit. Flying to glamorous locations, making easy money the model’s life seemed a dream come true, and so it was.

Regine in the 60s "Everybody, just everybody, knew Regine from these incredibly decadent nights in Paris, which was considered the height of chic by New Yorkers those days," says jeweler Kenneth Jay Lane. "We would dance until dawn to music that wasn't around here back then -- rumbas, tangos, merengues -- and then there you were, heart open and gay, stepping into a waiting limousine in Paris at sunrise." Regine specialized in "happenings," like the Jean Harlow night where the women wore white satin dresses and painted their Rollses white for the night, stepping out of them onto a white carpet that covered the sidewalk -- Dalí turned heads by arriving on the arm of his lover, Amanda Lear, rumored to have once been named Alan. "Working as a journalist covering the jet set in Paris at that time was extremely easy," admits Robin Leach. "You'd just go to Regine's every night and wait for the princesses to file in.

Wallis had a natural grace and she was an elegant dancer. Legendary nightclub owner, Régine loved to have Wallis and some of her modeling pals dance at her renowned disco; New Jimmy’s every night to help attract a crowd.  Even the French conceded: she had become a genuine Parisienne. She was never catty, or jealous, never competitive, but constantly sincere, creative, and ready for a good time.

Wallis was a catwalk queen in the 70s, before the era of the supermodel. Well-paid product-endorsement contracts for models were uncommon then but she had a great career doing everything from catalog to Vogue. She married the dashing Frenchman, Philippe de Hennigg a young Formulas Three racecar driver. Continuing her career, she quit going to nightclubs and settled down to a strenuous lifestyle of taking care of her family and working long hours as a model. “Une vraie Parisienne.”

She was a favorite of illustrious photographers like Steven Meisel and Tyen. Models and designers praised Wallis Franken’s innate sense of style. More than a model she was like an inspired fashion editor. If designers put an outfit on Wallis, they would know immediately if it was right.

left with Willy van Rooy for Vogue, Center with friend and client Yves St Laurent and right posing for L'Officielle.

Wallis’ best friend and cohort in the Seventies and beyond was Tracy Weed, another top model.  They were known by name, especially when Vogue Paris did a big spread on them.

WALLIS AND TRACY INC. PARIS VOGUE.

 

What kept her going was her vitality and her temperament more than her looks. The French were charmed by Wallis running around from booking to booking in overalls and clogs. She was the original “hippie vegetarian model,” who took her babies on shoots. She let her signature short bob grow long and lustrous. Her journeys took her on exotic trips. Wallis was a chameleon who loved to act for the camera, to become what photographers asked her to be. By this time she and her family were living in the country outside Paris.

Wallis in "real life" with her two babies. Photo taken by Tracy Weed. Donated to miniMadMOD60s by the Franken Estate.

In 1976 Runway Star Wallis’s life changed dramatically. She met the up-and-coming designer Claude Montana in Japan where she appeared in 21 fashion shows in 21 days. By now she was a legend in the modeling world. Designers clamored for her, and in the 1978 season she reportedly did more shows than any other model, a breath of fresh air. As a muse to Claude Montana she was like a brilliant editor, well-ordered, razor-sharp, and empathetic. For the newly emerging Claude Montana, it was quite a coup to have Wallis Franken become his muse. He produced his first actual collection in 1977, and Wallis helped pave the way for him. Her knowledge of fashion and her instinct for style were vast. They became collaborators and friends.


Even as a grandmother, Wallis Franken was pretty cheeky. Her ageless beauty charmed Madonna who invited her to dance in her video Justify My Love. Wallis, clad in black leather was sensational.She continued to inspire the great photographers. Steven Meisel used her for the cover of Vogue Italia along with other of the star models of the Seventies and Karl Lagerfeld styled her as the embodiment of Coco Chanel.

 

She married Claude Montana several years later. For the wedding at the town hall in the Seventh Arrondissement, the bride wore a white satin cowboy jacket over a tunic and pants. The groom wore buckskin and snakeskin cowboy boots. The wedding took place during Fashion Week and all the important fashionistas were there.

Wallis made a record in Paris called "The Strange Affair.


Wallis in her Forties;

Wallis in an homage to Coco Chanel ca. 1995

 

Wallis Franken and Claude Montana


Share in top social networks!
Posted in 1960s-1, 1970s, Featured, Mod | Tagged , , , | 2 Comments

Brunette Gamines

Share in top social networks!

Florence Julien 1964

Here are some of the models that were popular during the Sixties and on into the Seventies.  The first is Florence Julien.  She was from France.  She worked a season or two in New York appearing on several covers then returned to Paris.

Diane Conlon

 

 

 

 

 

 

 

 

This is Diane Conlon an American model who appeared very often in the pages of Seventeen Magazine.  She was also featured in countless catalogs and the popular fashion ads of the Sixties.

 

 

 

 

 

 

 

 

 

Wallis Franken

Wallis Franken was hugely popular in 1966.  She was sent to Greece on a week long trip for Ingenue and instead of returning to New York, she went to Paris.  She was to spend the next 25 years there, making a life for herself as an expatriate.  She married and had children, divorced and remarried, this time to Claude Montana, the famous designer.  Sadly, she committed suicide in the nineties after a long career.

Babette 1965

Babette Russell was actually the first Sports Illustrated Swimsuit Model.  She was extremely popular as a fashion and commercial model.

Dottie Harris

Dottie Harris was a winner in the 1968 Model of the Year contest sponsored by the Stewart Model Agency.  The first prize winner was Cybill Shephard, who went on to movie and TV stardom.  Dottie carved out a successful career as a fashion model.  Today she hosts an exclusive model reunion in New York City every year.

Jane Gallop

Jane Gallop was with the famous Plaza Five agency.  While not as exclusive as the Ford or Stewart Agencies, Plaza Five was a very good agency, home to many top models.  Jane appeared in fashion an cosmetic ads.

Josette Ely 1964 Germany Twen Magazine

Josette Ely was another French girl who worked a lot in New York and Paris.  This picture was from the German magazine, Twen.

Peggy Moffit

Peggy Moffit was a true original.  With her Vidal Sassoon haircut and self painted Kabuki eyes, her look became iconic.  She was the muse to Rudi Guernreich, the inventor of the topless bathing suit among other things.

Wallis Franken and Maria Knopka 1966 Mademoiselle

Maria Knopka was a Polish girl who worked in New York for two seasons.  Here she is shown with Wallis Franken in a picture for Mademoiselle by Gosta Petersen.

Rita Egan

Rita Egan was a very familiar face in the pages of Seventeen and in all the popular fashion ads.  Her career started in the Fifties and lasted until the mid Sixties.

Tracey Weed

Tracey Weed started in the mid-Sixties.  Her career lasted over a decade.  Another American model who settled in Paris, she was very well known .  Vogue magazine did a feature on her and Wallis Franken calle Wallis and Tracey Inc.

Share in top social networks!
Posted in Uncategorized | 2 Comments

Patty Boyd

Share in top social networks!

Patricia Anne “Pattie” Boyd (born 17 March 1944) is an English model and photographer, and the former wife of both George Harrison and Eric Clapton. She was the inspiration for songs written by both musicians: Harrison’s “Something”, “I Need You”, “For You Blue” and “Isn’t It a Pity”, and Clapton’s “Layla”, “Wonderful Tonight” and “Bell Bottom Blues”.

Patty Boyd modeled in London, New York, and Paris (for Mary Quant and others), and was photographed by David Bailey, and Terence Donovan. She became a personality and a celebrity. Her quirky good looks and smashing figure were especially attractive. She was a major face in American Teenage culture in the Sixties.  She authored a running column in Teen magazine which was avidly read by young girls in the USA,  She was the voice of the exciting Mod trend.


 Boyd, who was nearly twenty years old in 1964, met George Harrison during the filming of A Hard Day’s Night, in which she was cast as a schoolgirl fan.[ She married him and was the inspiration for some of  music. She later married Eric Clapton who wrote "Wonderful Tonight" for Boyd while waiting for her to get ready to attend Paul and Linda McCartney's annual Buddy Holly party. Talking about the song, Boyd says: "For years it tore at me. To have inspired Eric, and George before him, to write such music was so flattering. 'Wonderful Tonight' was the most poignant reminder of all that was good in our relationship, and when things went wrong it was torture to hear it.”

Here are son article written by Patty Boyd at the height of the British Invasion. click to enlarge and read the first hand accounts.

Patty Boyd Letter From London (click to enlarge)

 

 

 

Letter From London

An exhibition of photographs taken by Boyd during her days with Harrison and Clapton opened at the San Francisco Art Exchange on Valentine’s Day 2005, titled, Through the Eye of a Muse.[14] The exhibition also ran again in San Francisco in February 2006, and for six weeks in June and July 2006, in London. It was also on display for a few weeks at the Morrison Hotel gallery in La Jolla, California, in 2008.

Beauty Box

Boyd has exhibited photographs taken during her days with Harrison and Clapton, from Through the Eyes of a Muse, at Gallery Number One, in Dublin, in August and September 2008, and in Toronto, Canada in November and December 2008, at the Great Hall. “Through the Eyes of a Muse” was also exhibited in December 2009 at the Blender Gallery in Sydney, Australia, in May 2009, in Almaty, Kazakhstan, and from 28 December 2009 to 10 January 2010 at Lancaster Great House in Barbados.[citation needed]

In July 2011, she exhibited her photographs at Santa Catalina Island in southern California. The exhibit was titled “Yesterday and Today: The Beatles and Eric Clapton as Photographed by Pattie Boyd.”

In July and August, 2011, she exhibited her photographs in Moscow.

It was announced that on October 12, 2011 the collection would be displayed at the National Geographic Headquarters in Washington, DC under the series “Music on … Photography”.

 

An exhibition of photographs taken by Boyd during her relationships with Harrison and Clapton opened at the San Francisco, California San Francisco Art Exchange on February 14, 2005, titled Through the Eye of a Muse. The exhibition continues to be shown around the world several times a year, with appearances in Dublin, Sydney, Toronto, Moscow, London and Washington, DC, among others.

Share in top social networks!
Posted in 1960s-1 | Tagged , , , , , , , , , | Leave a comment

Lauren Hutton

Share in top social networks!

Lauren Hutton Vogue American 1968

  • Actor, Model
  • Gender: Female
  • Born: November 17, 1943
  • Birthplace: Charleston, South Carolina, USA

Full Biography

From All Movie Guide: Born in South Carolina and raised in rural Florida,Lauren Hutton embarked on a modelling career in roundabout fashion by becoming a Playboy bunny at age 20. It wasn’t long thereafter that the statuesque Hutton became a top fashion model, cover girl and commercial spokesperson. Though advised early on to correct the slight gap in her teeth, Hutton wisely retained this “imperfection,” which gave her on-camera persona a down-home sensibility that other, more ethereal models lacked. She began appearing in films in 1968, hitting her stride with such movies as Gator (1976), American Gigolo (1978), and Zorro, the Gay Blade (1981). Unlike other actresses-turned-models, Hutton achieved critical acceptance fairly rapidly, earning respectable reviews for such projects as the 1977 TV miniseries The Rheinman Exchange and the 1984 adventure film Lassiter (in which she played a literally bloodthirsty villainess). Following the lead of Farrah Fawcett, Hutton made her stage debut in the harrowing revenge-for-a-rape stage play Extremities in 1983. In recent years, Hutton has cut down on her acting appearances to return successfully to modeling; she has also become a staunch and powerful activist for several political causes. ~ Hal Erickson, Rovi

Esquire 1968

Oct 2005

 

 

Lauren Hutton Italian Vogue 1968

 

Australian Vogue 1969

September 1970 British Vogue

 

Lauren Hutton Jan 1967

 

Share in top social networks!
Posted in Lauren Hutton | Tagged , , , , , , , , , , , , , , , | Leave a comment

Betsey Johnson

Share in top social networks!

Linda Morand on Mademoiselle, Betsey Johnson, Gosta Petersen and Arthur Elgort.

by Samantha Perez 2010

I had a couple of years experience in the modeling world of the Sixties.  The things I saw, the creativity I experienced and the people I met left an indelible impression on me. I never forgot the beautiful faces of my fellow models and those who came before me.

In New York I was taken up by Mademoiselle, a magazine for sophisticated  College Girls, Career Girls (pre-womens’ lib term)  and Young Marrieds.

Because of my involvement at a very young age with my future husband, I dropped out of an active and rising modeling career.  The lifestyle and romance he offered me was irresistible and involved constant traveling between Paris, Rome, LA, New York, the South of France and Munich.  Fashion was a volatile world, and everyone knew it would be a short ride.  And so it was.  But for me it was a sweet ride.  However, I remained active on the fringes in all those cities, occasionally appearing in a fashion show, or a bit part in a movie.  I returned to the catwalk in the Early Seventies working with Karl Lagerfeld and other top designers. Those experiences changed me forever.

 

I was around when some of the greatest designers were still very big  in Paris as the British Invasion was becoming an international phenomenon.  I was lucky to work with someof the greatest photographers and meet most of them.  I worked with, partied with and had lunch with some of the most beautiful and interesting people, the models themselves.  I was not the biggest model, probably not very important at all, but I was there in the beginning and did get to participate in the creativity.  I also did many bread and butter jobs as a catalog queen in Europe. The work was dull, but the locations were superb.  Before the German clients discovered it was preferable to set up in South Beach, Florida, they would pay to transport groups of models, a photographer, stylists, assistants, tons of equipment and dozens of dresses to exotic locations around the world.

Here is a series I did for Mademoiselle in 1966.

The picture in the Norton Museum - Palm Beach

This photo cannot be seen well because it is behind glass. but I have a better scan of the version that ended up in Mademoiselle. Below. I like this one much better.These dresses were by Betsey Johnson. At that time she was the hottest designer in New York. Her dresses were works of art. Mine was made of metallic silver and was very form fitting. Kathy Jackson’s dress was even wilder made of see-through plastic over soft silk-like fabric. The top had cutouts which gave an illusion of nudity, very outrageous, but done with a whimsical sense of humor.

Models were encouraged to make odd and unusual poses, very different from the Fifties and early Sixties when the poses were stylized, but graceful and lady-like. My technique was to do something different, quirky and off beat. I chose to lean back to add movement to the image. Models and photographer and assistant working as a team, all with the vision in their heads. It was breakthrough.

We actually did the hair and make-up ourselves. Christophe of Sassoon had done my cut, which helped me to stand out a bit from all the other brunette models who were my type. It was literally wash and wear, very easy to maintain. There were only a few people in the studio, the models, Gosta Peterson, his very bright and creative assistant: Arthur Elgort and the editors who were the stylists, armed with wonderful accessories.

The background was created by Artie, as he was called. The studo was rendered pitch black while the models held the stylized poses for about 30 seconds.

Such photography had never been done before and now a few top photographers were experiment with techniques that look like futuristic computer images. No one had a computer and there was no Photoshop. Fantastic effects were created literally by smoke and mirrors, or in this case neon lights and double exposure.

I thought of this whimsical pose, very unusual. It was hard to stay still for 30 seconds on one leg

Then Artie would wave a neon light in the background in varying patterns, painting with light. Once the streaming colorful lines lines had made their imprint on the film, Gosta would press the button on the end of a long cord connected to the newest lighting technology, the Strobe Light. The strobe light and the Nikon camera changed the way fashion could be photographed. Young people, mostly young men, flocked to the cities th try their hands as fashion photographers. There was so much work, so much opportunity for new talent. The economy was good, at least for us. Lot’s more adventures and creativity lay ahead.

Share in top social networks!
Posted in 1960s-1, Mod, Retro, Sixties | Tagged , , , , , , , , , | 3 Comments

Lanvin 60′s

Share in top social networks!

In the early Sixties Lanvin Perfume’s launched an ad campaign aimed at the young women just coming of age. The young models who appeared in the pages of Seventeen Magazine were chosen as the Faces of Arpege.

A very young Colleen Corby as the face of young innocence in 1962.

Holly Forsman

Holly Forsman as another young teen image.

1966 Sandy Hilton and Gino Pischero

1972 - Maud Adams

1967 - Angela Howard - Bond Girl Sophistication.

Share in top social networks!
Posted in 1960s-1, Mod, Retro, Sixties | 3 Comments

Suzy Parker

Share in top social networks!

In 1959, model and actress Suzy Parker starred in the film The Best of Everthing which was based on the novel by Rona Jaffe. This paperback printing of the book by Simon & Schuster had photos from the film on the cover:

Suzy Parker and the film were publicized in various magazines from 1959:
http://www.minimadmod60s.com/gallery2/main.php?g2_itemId=25110


November 1959 Cosmopolitan Magazine


Suzy Parker & Model Bill Albans
Photographer: Richard Avedon
July 20, 1959 Life Magazine


1959 Life Magazine


1959 Life Magazine


1959 Life Magazine

Linda Morand and Susan Camp

Share in top social networks!
Posted in 1950s, 1960s-1, Featured, Retro | Tagged , , , , , , , , , , , | Leave a comment